I’ve updated the Stagolee page again, reducing the number of MIA tracks, thanks to Bert and others who have sent in files recently. The Final (!!) update to St. James should be up on the donors page tonight (or at least by 9/2) - apparently I like downloading, deleting and re-downloading those files over and over again. I know I’ve lost a few on the way because of that. If you donated tracks for these collections and haven’t heard from me by tomorrow night (9/2) send me an email (pkpatnaik@prewarblues.org) for your password.
This song was requested awhile ago, but I’m just now getting around to putting it up. I wasn’t familiar with George Hannah before this request, I just had a few of his tracks scattered across a few discs. Hannnah isn’t the best singer, but he is a very unique songwriter - focusing on the other side of city life in the pre-war era. Boy in Boat is a great observation of city life, and sound somewhat like Tom Waits in parts. Freakish Man Blues goes more into details about his own personal leanings and is quite fun. Hannah is backed on both tracks by Meade Lux Lewis who is always a pleasure to hear.
I’ve updated and cleaned up the Stagolee page. I moved a bunch of songs down to the Missing in Action section (please send?) and added about 20 new songs thanks to Robert who also sent in a bunch of wonderful St James sides. Speaking of St. James - the addendum will be out this week some time so keep your eyes and RSS feeders peeled.
Mason sent in this AWESOME St. James video of pre-Oingo Bongo theater group Mystic Knights doing their take of the song from a documentary called Forbidden Zone. The Same user has them doing Minnie The Moocher and recreating the Betty Boop cartoon that’s pretty awesome also (it’s not work safe).
I’m happy to present So Young, So Cold, So Fair: The Saint James Infirmary Blues, a collection of songs of loss and love regarding The St. James Infirmary. Honey was established over four (!) years ago around the idea that it was too hard actually listen to pre-war blues without buying out of print or import blues records. I try to present the music on this site without too much editing - I don’t make everyone suffer through every single female blues side I get my hands on (though you might think so by reading my email) and as everyone points out I haven’t posted Robert Johnson (This is changing soon) but I think most blues collections have covered the basics to death - and that my site as the next step where you can hear Jessie Derrick and not just Ma Rainey.
This idea of presenting the blues then evolved into I really want to listen to 80 versions of Stagolee and 100 versions of St. James Infirmary right now. With these large collections I don’t edit for quality - The Doors version on here is almost as bad as the Beach Boys take on Stagolee - thought the quality of St. James Songs is far higher than Stagolee. By far. Enjoy!
Notes:
1. A BIG thanks for everyone who contributed to this collection - it would of have been twenty versions by Jack Teagarden with out you.
2. The numbering is off because I didn’t remove duplicates until after I ordered and numbered the tracks.
3. There will be an appendix with Dock Boggs and a few other people released later.
4. Please share the page, not the links.
For those who have donated - the full download for the St. James Infirmary is ready to be downloaded here. If you contributed, and haven’t donated, please send me an email and I’ll send you a password.
I’m working on a post for everyone else with each track being able to be donwloaded - but it is taking sometime to type in all those hyperlinks!
Virgil Childers recorded a handful of sides in Charlotte, NC a recording site more known for pre-war country than blues. Childers is a really light/pop piedmont blues artist (though his style isn’t pure piedmont like Fuller) he has an enjoyable voice and is a pretty solid guitar player. He also recorded Dago Blues, which combined with the version below by Luella Miller are the only two versions I know about. I also enjoy his take on Red River Blues, one of my favorite songs.
I updated the release dates for the first blues mix below - I knew someone would call me out for not including it - yet here we are. Does anyone know if Yazoo Records is still releasing albums? Their website doesn’t seem like it has been updated since the last batch of Patton reissues, but I keep seeing new (at least to me) discs pop up every so often.
We have a trio of songs from Luella Miller today. Miller was was a well traveled blues singer - her topical songs seem to focus on St.Louis and Mississippi though she recorded in both New York and Chicago. The first track was her first release and feature guitar great Lonnie Johnson on violin! He would appear on several of her early recordings on guitar, but it’s interesting to hear him on violin - which I’ve only heard a handful of songs feature him on that instrument. The last two tracks are my favorite, and unfortunately her last recorded works - her voice has matured a lot in couple years between recordings and she’s back by her best band, especially on the on wonderful side Wee Wee Daddy Blues.
There’s not a whole lot out there about “Hambone” Willie Newbern - the story about him giving guitar tips to Sleepy John Estes and his temper - which may of led to his death in prison in 1947. Listening to his sides over the weekend, and pretty much all day today - I haven’t heard a more interesting and exciting blues musician for the first time in a very long time. Newbern’s got that hard, driving guitar that’s as steady as the railroad - and a great booming voice that must have been amazing to hear in person, and both of which make for a great blues musician and one that needs to be heard by everyone.
Newbern was born in Tennessee, and traveled as musician all across the South playing in medicine shows which shows in his vocal style and subject matter. I prefer his more personal material - his narrative about being arrested and thrown in jail is my personal favorite. These tracks were recorded in 1929 in Atlanta over two sessions for Okeh.
If you remember the brief lived blog “Workbook” that was linked from this blog (back when I still had links) or if you were the guy who wrote that blog, please contact me, regarding one of the mixes you posted a few years ago.
I started this mix a few years ago, and just got around to completing it yesterday when I found my list of songs while cleaning up my back up drive. Part One is devoted to my favorite type of blues, female blues. It’s meant to be an overview of the genre with a balance between obvious classics and personal favorites, much those “rough guide to..” series of mixes. The first two mixes in the series will be available to everyone, though as I break it down into sub-genres and styles and personal those will through donation only.
Please leave suggestions and comments about future mixes in the comment sections. Also if you want to contribute a mix one a sub genre of pre-war music (not just blues) send me an email and we can work those details out.
Coming Soon - The Gents
Tracklist:
01. Hattie Hart - I Let My Daddy Do That (1934)
02. Gertrude ”Ma” Rainey - Black Eye Blues (1928)
03. Lucille Bogan - Shave ‘em Dry (1935)
04. Victoria Spivey - Black Snake Blues (1926)
05. Viola McCoy - I Ain’t Gonna Marry, Ain’t Gonna Settle Down (1924)
06. Clara Smith - Death Letter Blues (1924)
07. Sara Martin - Death Sting Me Blues (1928)
08. Mamie Smith - Crazy Blues (1920)
09. Jessie Derrick - If You’ll Come Back To Hollywood (1926)
10. Bessie Smith - Cemetery Blues (1923)
11. Bessie Tucker - Got Cut All To Pieces (1928)
12. Arizona Dranes - My Soul Is A Witness For The Lord (1926)
13. Gladys Bentley - How Much Can I Stand (1928)
14. Louise Johnson - On the Wall (1930)
15. Memphis Minnie - Nothin’ In Ramblin’ (1940)
16. Sister Rosetta Tharpe - God Don’t Like It (1939)
17. Trixie Smith - You’ve Got To Beat Me To Keep Me (1925)
18. Ozella Jones - I Been a Bad, Bad Girl (Prisoner Blues) (1942)
Bo Diddley passed today - leaving behind one of the best and most consistent bodies of work this side of Sam Cooke. My favorite song by him is this one - which I think captures the best aspects of his work - the great Diddley backbeat - and that wonderful voice which I think is severely underrated among post-war blues greats, and rock music in general.
That’s my excuse, and I’m sticking to it. The delay of St. James has everything to do with the keeper of the bees, so blame her. Everything regarding St. James has been compiled and is ready to go, bees or not.
We celebrated in secret our 4 year anniversary here at Honey H.Q. last month - Casey Bill Weldon was played very loudly - much dancing followed. I think Casey’s guitar sound is my favorite outside of Son House - I also think Casey is served well with a piano backing it pops his guitar sound a lot more than when he’s backed by another guitarist.